“It was a giant puzzle, and making the pieces fit was delightful.” Q&A with Bethany Jacobs, author of These Burning Stars

Q&A with Bethany Jacobs. Editing, revisions and the journey to publication.

Hello and welcome to this very special blog post: a conversation with Bethany Jacobs, author of the newly released queer space opera These Burning Stars. We’ll be talking all about the editing process that These Burning Stars went through, from first draft to finished publication.

Bethany and I worked together during the 2020 session of Pitch Wars, after which Bethany went on to sign with an agent and land a three-book deal with the publisher Orbit. These Burning Stars, the gripping first instalment of the Kindom trilogy, comes out this week (17 October in the US; 19 October in the UK) and I’m so excited for everyone to read it!

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Craft book review: Brain Games for Blocked Writers by Yoon Ha Lee

Craft book review: Brain Games for Blocked Writers by Yoon Ha Lee

Yoon Ha Lee is one of my absolute favourite authors—his Machineries of Empire trilogy is among the best science fiction I’ve ever read, and I’ve yet to come across a novel or short story of his that I haven’t loved. So when I found out that Lee had published a book about writing, I snapped at the chance to read it.

Brain Games for Blocked Writers: 81 Tips to Get You Unstuck is not your typical ‘how to write a novel’–type book. It’s a collection of suggested activities for finding inspiration, boosting your creativity, and coming at your writing from angles you might not have considered before.

Lee says in his introduction that these tips are for people “whose brains are not orderly and analytical”, i.e. people for whom working through a checklist of logical solutions is not effective in helping them overcome blocks in their writing. But I’m willing to bet that among the eighty-one suggestions in the book, there is at least one thing that would prompt new ways of thinking in every writer, regardless of the type of brain they have.

The book contains prompts around the act of writing itself—e.g. tools to use, ways to shake your writing process up, word games, and ways to play with genre and form. But a large chunk of suggestions stem from other areas of creativity, too. Lee is evidently a big fan of interactive fiction and narrative-rich games (such as TTRPGs) and this inspires many of the prompts, from thinking about what playing style your characters might have, to writing a ‘video game vision statement’ for your novel. Other prompts draw from art, fashion, music, technology, tarot, sports, and even perfume. My personal favourites might be the prompts that involve cats!

These hugely varied tips are not just one-line ideas or terse instructions: they each come with anecdotes from Lee’s life and personal examples about how he has tried each approach out with his own writing. The result is a conversational and personality-filled read—it almost feels like you’re sat opposite Yoon Ha Lee in a café, listening to him talk about his writing process, his favourite games and anything else that takes his fancy. It lends a whimsical and playful air to what, in someone else’s hands, could have ended up as a dry book of exercises.

So, in short: If writing your novel is feeling like a grind, plenty of the ideas in Brain Games for Blocked Writers will help you to step back and look at things differently—and it might be the prompts that you least expect. Yoon Ha Lee’s suggestions ultimately encourage you to reclaim the fun in writing and, in doing so, to find a new way forward for your story.


You can find details on where to get hold of Brain Games for Blocked Writers: 81 Tips to Get You Unstuck on Yoon Ha Lee’s website (link opens in a new tab).

Do you have any unusual ways to kickstart your creativity? Let me know in the comments, or get in touch another way. I’d love to hear from you!

While you’re here, why not check out my blog post about the three-gender system in Yoon Ha Lee’s novel Phoenix Extravagant?

Reading for writing craft

Reading for writing craft: Turn reading from a writing fuel into a writing tool

Reading is the bedrock of writing. If you’re looking to improve your writing craft, one of the best ways to do so—outside of actually writing—is to read. Read widely, read deeply, steep yourself in words.

But that’s not the whole story.

Writing is like magic, in more ways than one. If you want to be a stage magician, you can’t just watch loads of polished performances and expect to be able to emulate them. You have to look behind the curtain to see how the tricks are done. Then you have to practice. A lot. Until that sleight of hand becomes invisible to the audience and the magic happens.

In the same way, reading doesn’t automatically equip you with the skills that you need to write effectively and make the magic happen. But if you can peek behind the curtain with an analytical eye, you’ll transform reading from a writing fuel into a writing tool. You’ll be able to use it to guide your writing practice and hone your craft.

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